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An Entertaining Evening - Women in Entertainment: Behind the Scenes at the Apollo Theater


Nicole Franklin, Winsome Sinclair, Nancy Giles, Pat Weber Sones, Michele Steckler, and Amy Sewell
were on hand for Women in Entertainment: Behind the Scenes. Photo courtesy of MOFTB.


March 23, 2010 - An enthusiastic crowd gathered at the Apollo Theater on March 22 to hear from talented women working in New York City’s entertainment industry. Presented by the Mayor’s Office of Film, Theatre and Broadcasting, the Apollo Theater’s education program, and New York Women in Film and Television, Women in Entertainment: Behind the Scenes provided the audience with personal accounts of five women’s experiences behind the scenes in film, television and theatre.

Moderator Nancy Giles, a contributor to the “CBS News Sunday Morning,” started the night off by introducing clips that showcased the panelists’ credits before she delved into their backgrounds.

Independent filmmaker Amy Sewell recounted how her first job in the industry was non-traditional. After writing an article about a public school program that taught students how to ballroom dance, Sewell, a mother of two, teamed up with a few filmmakers to produce Mad Hot Ballroom, learning along the way how to be a producer by reading books. 

Many of the panelists got their first break through unpaid internships. Working for no pay when you’re just starting out is common, said Winsome Sinclair, a casting director whose credits include Malcolm X and Precious, “but work like you’re being paid.”

“There was always a healthy representation of women [working in my field] when I came up,” said Sinclair, explaining that because of that she always believed she could achieve success. “They took me under their wing lovingly.”

Sinclair recalled that her most ambitious project was Malcolm X. Twenty-two hour days were not uncommon, and the most she could hope for many days were two hours sleep. “I wasn’t earning a lot of money, but I believed in what I was doing.”

“Integrity is key,” said Sinclair. “Be who you say you are.”

Sewell’s advice for the young people in the audience was to like what you do and to trust your gut. Sinclair echoed that sentiment, “If you’re not passionate about doing it, sixteen hour days are going to be hard.”

Michele Steckler started out as a stage manager intern because she was determined to work in the theatre. Now she’s the senior vice president and senior producer for Disney Theatrical Group, having worked on productions like Mary Poppins and The Lion King. Her advice to the audience was that it’s important to be patient. “You have to trust the journey and the path,” she said. “Everything you do gets you to where you are.”

Another piece of advice she wished she had when she was younger was to understand that she’d learn just as much from the challenging experiences as she would from with the fun ones.

When Giles asked the panel if they ever had any bad experiences working with women, Nicole Franklin spoke about a time when she was nineteen and working in an internship with a difficult boss who was female. “I realized she was a bad apple,” she said. “Don’t turn it into ‘I won’t work for this gender ever again’ because of one experience.”

Franklin, who’s worked as an editor, producer, filmmaker and director, recently took on the challenge of being a fill-in stage manager on “The Today Show.” “It’s four hours of live TV,” she said. “You meet heads of state and Britney Spears. You learn not to take the elevator because you could get stuck.”

Pat Weber Sones became a location manager after years of working as an actress. “I had enough experience in something else which made it easier when it came to making the transition,” she said. “It’s all about showing up.”

The schedule of a location manager is constant, she explained. Every eight days they have a new episode to prep for, looking for places where the characters live, eat and work. Currently she’s working on the NBC series “Mercy.” Her previous credits include “Lipstick Jungle,” Across the Universe and The Interpreter.

“I do run into a lot of women [doing location work],” she said. “Women are helpful to other women, helping each other to succeed.” 

Click here to watch a “That's So NY” recap of Women in Entertainment: Behind the Scenes.


 Women in Entertainment: Behind the Scenes took place at the Apollo Theater.
Photo courtesy of MOFTB.



At the conclusion of the discussion, audience members were able
to ask the panelists questions. Photo courtesy of MOFTB.




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