
MOFTB Associate Commissioner Julianne Cho
welcomes the audience at the PGA's
"Going Green in TV and Film Production"
panel. Photo courtesy of the PGA.
March 1, 2010 - “Going Green in TV and Film Production” is
an on-going series from the Producers Guild of America featuring forums and
discussions on keeping productions eco-friendly from prep to wrap. The most
recent panel was held at The Central Park Arsenal on February 8 and included a
gathering of key players in the City’s film community. Assistant Commissioner
Jack T. Linn of the Parks Department introduced the evening by reminding
producers that there are plenty of opportunities to give back to the city
including planting trees to off-set carbon emissions.
Julianne Cho,
associate commissioner of the Mayor’s Office of Film, Theatre and Broadcasting,
led the evening with opening remarks. “The PGA deserves major credit for taking
a real leadership role in the green production movement, and this panel in
particular creates an opportunity for multiple departments and labor reps to
share responsible practices in a forum that usually doesn't exist in daily
production,” she said.
The discussion was moderated by PGA East Vice
Chair Dana Kuznetzkoff who led a spirited conversation with questions and
comments ranging from the difference between biodegradable and compostable to
practical suggestions about non-toxic materials, recycling sets and how to
reduce paper and eliminate plastic water bottles on a show.
Panelist and
production designer, Mark Friedberg’s most recent project was Paramount’s
Morning Glory. Friedberg said the success of this production’s greening
efforts was ensured because the director, producers and actors were all on
board. All the panelists agreed when he said, “It is critical to have that type
of cooperation from the top.” Friedberg went on to say that it is just as
important for a project to be properly budgeted to be green. Producers must
realize that often times it will take additional time and effort on the part of
the crew when striking a set to be reused or repurposed.
It was noted
that studios are starting to support the new crew position of green PA or
environmental steward. Jeremy Albucher spoke about some of his job
responsibilities in this role, including helping the transportation department
coordinate bio-diesel orders and deliveries, supervising the sorting of trash
and the recycling on the set, coordinating with “Rock and Wrap It” to pick up
all leftover food to deliver to a shelter close to the location, and generally
helping department heads set goals and achieve them. Albucher also provided
green educational information in the form of weekly tips and updates on the
crew’s green activities.
Every film union and guild was represented in
the room. "A strength of the New York film industry is the power of the
community in banding together to work on common interests,” said Lydia Dean
Pilcher, one of the chairs of PGA Green. “The turn-out Monday night reflected
the significant growth of a NY sustainability movement over the past two years,
which now has people stepping forward from all departments to take leadership
roles in taking our efforts and outreach further."
The other panelists
assembled for “Going Green in TV and Film Production” included UPM/line producer
Carol Cuddy (The Departed); Tim Metzger, leadman (The
Interpreter); Greg Sullivan, scenic artist (Spiderman).
For
more information, visit www.pgagreen.org.