Photo by: John Castellaneta
Manhattan Municipal Building
1 Centre Street
New York, NY 10007
Date Built: 1909-1914
Architect: William M. Kendall / McKim Mead & White
"...an imposing building of real beauty... one of the few monumental skyscrapers
of the early part of the Twentieth Century."
-- NYC Landmarks Preservation Commission, in its 1966 designation decision
The Municipal Building is at the intersection of Chambers and Centre Streets, east
of City Hall Park and just north of the Manhattan entrance to the Brooklyn Bridge.
It is among the largest government office buildings in the world, housing over 2,000
employees from a dozen municipal agencies in nearly 1 million square feet of office
space.
The building houses the offices of three elected officials – the City Comptroller,
the Public Advocate, and the Manhattan Borough President – and is the headquarters
of the Department of Citywide Administrative Services, which manages the building.
Also calling 1 Centre Street home are the Department of Finance, the Tax Commission,
the Civil Service Commission, the Landmarks Preservation Commission, and the Office
of Payroll Administration. Field units of the Office of the Mayor, the Department
of Buildings, the Department of Environmental Protection, and the Department of
Information Technology and Telecommunications are also located here.
Photo by: John Castellaneta
The main building has 25 floors and 33 elevators, with another 15 stories in the
central tower. Over 1,000 people use the various services and agencies located in
the building every day. Occupying a storefront on the ground level is
CityStore, the Official Store of the City of New York, which sells books,
gifts, collectables and souvenirs of New York City.
The limestone building incorporates Roman, Italian Renaissance and Classical styles
of architecture. A major feature in the design is an open plaza, screened by Corinthian
columns, that appears to be carved out of the first three stories of the structure.
The plaza flows into a central triumphal arch, inspired by the Arch of Constantine.
So grand is the arch that automobile traffic flowed through it before Chambers Street
traffic patterns were altered. Today, the barrel-vaulted passageway is open to foot
traffic.
The building's soaring classical exterior rises from modern roots: the Municipal
Building was the first building in New York City to incorporate a subway station
at its base. The subway station entrance at the south end of the building is covered
by an arcaded plaza notable for its dramatic vaults of Guastavino tile construction.
Surmounting the central tower is a 20-foot
tall gilded statue,"Civic Fame,"
fashioned by sculptor Adolph Weinman. Constructed of sheets of copper with a hollow
core, this female figure stands barefoot on a sphere and wears a flowing dress and
a crown of laurels to signify glory. In her left hand she holds out a five-pointed
crown representing the five boroughs (Manhattan, Brooklyn, Bronx, Queens and Staten
Island).
Photo by: John Castellaneta
Various types of sculpture and relief
cover portions of the Municipal Building. The central arch is decorated with sculpture in the Roman manner as was
used in the Arch of Constantine. Over the side arches are rectangular allegorical
panels. At the left (north), Civic Duty is represented by a woman personifying the
City, accompanied by a child holding the seal of the city. On the right of the arch
(south), Civic Pride shows the female personification of the city receiving tribute
from her citizens. Adolph Weinman, the sculptor of Civic Fame, also designed the
shields that were used in the elevators, on the molding above the colonnade and
again on the false colonnade above the 22nd floor. They represent New Amsterdam,
the Province of New York (under English rule), the City of New York, the County
of New York and the State of New York.
This beautiful building has a rich history. By 1884, the City of New York had surpassed
the limited physical space in City Hall and additional space was required for all
of the many functions and services needed for a city which then numbered over a
million. Many of the growing government agencies that were necessary for such an
expanding city were located in rented offices in privately owned buildings north
of Wall Street, extending to what we now call Midtown.
In his second annual report to the Board of Alderman in 1884, Mayor Franklin Edson
stated that City Hall was becoming too crowded and that its "style of architecture
was such that without marring its present symmetry, it couldn't be enlarged to the
required extent."
Continuing lack of space and a general desire to decrease rents paid by the city
to landlords led to the appointment of a commission in 1888 by Mayor Abraham Hewitt
to select a site and advertise for plans. Four architectural competitions were commissioned
between 1888 and 1907. The fourth, and final, competition for a design for the Municipal
Building was commissioned by the Commissioner of Bridges, whose agency had acquired
part of the designated land for a new terminal for trolleys that ran across the
Brooklyn Bridge. Twelve architectural firms submitted plans for a new building in
the final competition. The winning submission was designed by a young partner in
the firm of McKim, Mead and White, William M. Kendall, who based his design on the
Royal Liver Building in Liverpool, England.
By the time the award-winning design was selected in 1908, New York City included
five boroughs and over 4.5 million people. By 1909, the foundation work began on
what was soon to be one of the largest government office buildings in the world.
Photo by: John Castellaneta
The firm of McKim, Mead and White was internationally
renowned and was then the largest architectural firm in the world with a staff of
more than a hundred. The Municipal Building was the firm's first skyscraper. The
firm's work was well respected by the profession and well known for their quality
of construction and the contractors used. Other examples of this firm's work include
the Rhode Island State Capitol building, the Morgan Library and the American Academy
in Rome.
The Municipal Building was completed in 1914, but the first offices were occupied
as early as January 1913. By 1916, the majority of the offices were full and open
to the public. The total cost of the project was $9 million, which included the
cost of the land. The building was designated a landmark in 1966 by the City's Landmarks
Preservation Commission and has seen two major renovations, the last completed in
1993.
For many years, the Municipal Building gained fame as the place where over 30,000
New Yorkers were married each year at the Office of the City Clerk, in civil ceremonies
lasting about four minutes. In 2009, the City Clerk's Office moved to nearby 141
Worth Street.
The Municipal Building is a designated New York City Landmark.
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